18th Century Whitework Fichu
Today was a busy day! I finished up the whitework apron I was working on and embroidered the fichu.
This is the first really large fichu I’ve made. I used my Civil War Bosom Friend (aka Sontag) as the pattern, cutting the entire thing in one oddly shaped piece. The center is semi-triangular with two very long angled skinny arms that wrap around the front of my body and then tie in back. I just LOVE the look!
Adding a little something extra, I decided to cut it using my rotary tool and a scalloped blade, to approximate the look of my inspiration piece:
The photo isn’t high res, so I can’t tell if the scalloped edges are bound or not. Mine aren’t…for now. I’m still trying to decide if they need to be.
I borrowed a second idea from this photo: the notion of tying a pretty ribbon around the fichu’s ends. That looks just so precious!
Pix!
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18th Century Whitework Apron
This weekend is Colonial Kensington, and I am so looking forward to it! I have a lot of 18th century middle class clothes, but I still like to make something new for every event I attend. I decided I needed to make two new accessories for my Rococo/Rev War garb: A new embroidered muslin apron and a new muslin fichu.
For the apron, I used this picture as my inspiration.
First, can I say this about that skirt…drrrrrrrooooooool! Someday I’ll make that skirt. But not this year.
Now, back to the apron: It’s hard to see in this photo, but the apron is whiteworked around the perimeter. There may be more embroidery in the body of the apron, but I can’t tell. I decided I’d put the new whitework designs I just bought to the test.
Pics:
Left to do: hem three sides and stitch to waistband. The final step will be adding the ties.
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Progress Update: 1860’s Cotton Lawn Day Dress
It’s almost complete! I added the sleeves, the hooks and eyes at the waistband and three rows of pleating around the perimeter of the skirt. Even with the pleating, the hem looks a little too long for me. I’m hoping my boot heels will help a little (I’m barefooted in this pic). All that’s left to do is sew the buttons on the sleeve cuffs. In addition, I trimmed a simple straw hat to match, adding some silk flowers and a silver satin ribbon to tie it.
A pic (please excuse my sunburned face–we went to the airshow this past weekend).
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Progress Update: 1860’s Cotton Lawn Day Dress
Thanks to the experimentation I did with the sheer dress, this one is coming together much more quickly (and easily). The material is also much easier to work with. The cotton I used for the sheer dress became very gauzy after I dyed it. It unraveled very easily, stretched out of shape…it was just a nightmare to work with. This crisp lawn is such a dream, compared to that.
What have I accomplished so far?
I’ve cut and sewn the skirt, applied the hemguard and gathered the waist on a ribbon. I’ll later hand sew the waist to the bodice.
I’ve cut and sewn the half high under bodice, though there’s still more work to do on it. I need to finish the neck, the center front and add sleeves. I’m not sure yet what kind of closure I’ll use. I know hooks and eyes are period appropriate, but I don’t like the lumpy appearance they give. I’d rather use something that will lie flatter, like buttons. Finally, I need to finish the waistband. At this point, I’m tempted to make the half high a completely separate garment from the sheer lawn outer bodice, rather than join them. I think it’ll work okay because there won’t be any stress on the lawn bodice at the center front closure because the only closure point is at the waist. Not sure yet what I’ll do. I sure wish I had access to extant garments, so I could look inside and see how they’re constructed.
I’ve cut and sewn the bodice back, pleated the front panels and sewn them to the back/sides at the side seam, and added the waistband. Still to do: pipe the shoulder seam (the original had piping there) and armscye. Cut, trim and sew sleeves. And add hooks and eyes to the waistband.
So far, it fits my dressform like a dream. I hope it fits me as well! We’re not shaped exactly alike.
Pix
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1860’s Cotton Lawn Day Dress
For my next project, I’m planning on recreating this dress, which I found on www.antiquedress.com. It is an actual period garment, not a reproduction.
Pix for reference:
Isn’t it just GORGEOUS?
The description:
#4161 – c. 1867 Lovely Summer White Cotton Print Gown! Crisp, white cotton one piece voile dress is printed with light aqua and brown fuchsia flowers in Amazing condition!!! The gown is all hand stitched and trimmed with linen bobbin lace. The bodice is lined in white linen and comes with a separate modesty neckline insert (very sexy to wear without the panel!
. There is a deep side pocket in the skirt & a small watch pocket at the waist. One small brown stain in front, 2 pin holes in skirt, a few period mends but truly Excellent condition.. hard to believe it’s this great for age!! You’ll believe you stepped back in time as the material is as crisp and clean as new! Shown with hoop and slip under, but doesn’t come with that. Sorry! Just the great sheer dress! Measures: 33/34″ bust, 26″ waist (but it’s short waisted, but hooks can be moved a bit to fit), Measures: 44″ long from waist to hem in front, 55″ long from waist to hem in back., 12″ across back between armseams, so no wide backs. I have a fairly small back, but wear a normal size 6.. and it’s do-able for me.. if I stand up straight!
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My dress will be made out of this lovely cotton lawn fabric, which I found on the Fashionfabricsclub.com. It’s cute on the site, but I have to say, now that I have it in hand, it’s even lovelier in person. There is a white-on-white print underlying the blue and tan that makes it look that much more delicate and special.
Status: It process of draping half high under bodice (will post pix soon)
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Sontag. It’s not just a day of the week.
For those of you who haven’t heard of this item, like I hadn’t a week ago, a Sontag (aka Bosom Friend/Bosom Buddy) is a knitted or crocheted shawl-like garment that crosses across the front of the body and ties around the waist. The first time I saw one (without realizing what it was) was while watching a BBC filming of Little Dorrit.
After rummaging around the internet, I found the following photos:
I think it’s adorable.
Next step: figuring out how to make one of these sweet little garments. Luckily, I stumbled upon a website that gives the precise instructions for both a knitted and crocheted garment. Because I don’t know how to knit, I’m opting for the crocheted version.
Click HERE for full instructions, including needle size and yarn requirements.
Click HERE for full instructions for a knitted Sontag.
This book contains instructions for sontags and many other items
Because websites like these tend to disappear, I copied the directions and saved them on my computer’s hard drive. Should this link ever die, I’ll post them on this blog.
Of course, for those who prefer to purchase finished items, there are plenty of sutlers who sell bosom friends/Sontags.
http://www.landysforgifts.com/catalog/item/2476423/2902714.htm
http://www.artfire.com/modules.php?name=Shop&op=listing&product_id=902502
http://www.artfire.com/modules.php?name=Shop&op=listing&product_id=1231092
For practicality purposes, I’m making mine out of black wool yarn. At least it’ll match just about anything I might wear in the future. However, depending upon how this first one turns out, I might like to make a second one out of a soft heather gray, like Little Dorrit’s.
As of right now, I have completed 12 rows of the back panel. I haven’t worked on it long, maybe an hour or two. It’s going fairly quickly.
Will keep you posted, with pix.
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Progress Update: 1860’s sheer dress and the fine art of accessorizing
THE DRESS IS FINISHED!WHOO HOOO!
I spent a few hours last night finishing up the handwork and am happy to report my 1860’s sheer cotton day dress is finished. Pix below (note: the front of my half high is slightly wrinkled due to the fact that my dress form isn’t shaped exactly like I am. I didn’t pad it for the photos). I couldn’t estimate the total time it took to research and construct this garment, but I’d say it was several hundred. I am not big in documenting my research, but I still do a great deal of it.
The final step: researching the appropriate accessories to complete my impression. Whenever possible, I prefer to use genuine antique items. Better yet, items that belonged to a deceased family member. I’ve learned in researching this topic that accessories make a great deal of difference in the impression you create. A cotton dress can be worn as either a camp dress or a visiting/Sunday Best, depending upon the accessories. Thus, I’ve determined it’s important to take my time looking into what accessories I should use and which I shouldn’t. My goal is to create a middle class visiting/walking impression.
The accessories I’ve found recommended in How To articles on the internet are:
Belt and buckle (antique mother of pearl buckle purchased on eBay)
Gloves (my hubby’s grandmother left behind dozens of gloves and other items. I found a perfect pair among them!)
Brooch (I found my genuine cameo on eBay)
Pocket Watch (Left behind by my aunt)
Shawl (antique Chantilly lace shawl purchased on eBay)
Parasol (purchased a reworked antique from an online Sutler)
Bonnet/hat (purchased last year from a Sutler’s tent)
Reticule (I don’t have one of these yet. I carry my things in a small egg basket)
Earrings (genuine pearl dangle earrings purchased on eBay)
My foundation garments:
Chemise (I’m cheating a little, wearing a simple sleeveless camisole under my corset and no corset cover)
Under petticoat
Crinoline (hoop)
Corset
Over pettincoat
Linen drawers
Socks
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Progress Update: 1860’s Sheer Dress
I’ve been steadily working on this project, between visits to our local library with the kids, hauling the youngest back and forth to summer school, and writing Blood of Eden. It’s almost finished. Yay! Yet to do:
Complete the collar
Sew hooks and eyes on the bodice front, sleeves and skirt waistband.
And…THAT’S IT! I’ll be adding this one to the Most Recent Completed Projects soon!
Pix:
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Silver Leaf Ren Faire
This past weekend, I took Child Number Three to the Silver Leaf Ren Faire (Battle Creek, MI). We had a wonderful time! I found a bodice chiller (YAY!), and bought a Bosom Friend for my Civil War era garb (not sure the color is appropriate…but we’ll see…). With this heat, the bodice chiller didn’t chill me much (thank goodness the site had running water. And that water was ICE-cold). Man Child bought a Pirates of the Caribbean card game and some little gifts for his sister and brother.
What a way to enjoy some quality mom-son time
Pix!
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Construction Diary: 1860’s Sheer Dress
Because this is my first attempt at making a sheer dress, and I’m draping a new pattern, I thought I’d make my first sheer dress out of inexpensive material. I was fortunate enough to find a sheer cotton drapery fabric at JoAnn’s for $5 yard. It was white. I wasn’t crazy about making an all-white dress, although I have seen photos of all white dresses. So, I grabbed a bottle of dark brown dye and headed home. Let me emphasize something–I have not done a lot of fabric dyeing. And the dye was not recommended for Dry Clean Only fabric, which this is/was. I wasn’t sure how well it was going to turn out.
The first step of course, was dyeing the fabric. Slightly reluctantly, I filled my washing machine with water, salt and very dark brown dye. I put the wet fabric in, following the directions, ran it on the wash cycle four times then rinsed. Voila. I had brown fabric. And with the exception of a few funky striped areas where the fabric twisted, the color was fairly even. I was pleasantly surprised. Note to self: next time, pull the fabric out and untwist a few times during the dyeing process.
The next step: sewing the white petticoat/underskirt. Because I didn’t have a huge stash of muslin, I dug into my stash of better cottons and scored some white cotton sateen. I merely cut a length of roughly 180 inches, sewed the two ends together and turned over the top edge to gather the waist on a ribbon. I then measured the hem turned the raw edge and machine sewed the hem, figuring it won’t be seen. Underskirt: done.
The third step: constructing the cotton over-skirt. Because the sheer drapery fabric was wider than the sateen, I cut four widths of the material for the over-skirt, which would produce a skirt roughly 200 inches around when completed. I sewed all four panels together, leaving about six inches of the last seam open, to allow the skirt to slide over my hips. Like I had with the under-skirt, I turned over the upper edge and gathered it on a ribbon, with the intention of hand-sewing the gathered edge to the bodice later. I cut lengths of muslin for the hem guard, sewed them together and machine stitched them to the bottom edge of the fashion fabric, before turning the guard to the inside. Finally, I folded over the raw edge of the muslin and hand-stitched the muslin to the fashion fabric, using the smallest stitches I could manage. It was a tedious job, but I really like how the guard gives the fabric a little body and weight.
The fourth step: constructing the fitted muslin half-high under bodice. Rather than start from scratch, I used Simplicity pattern 3727 as the basis for my under bodice. I had to tweak the pattern slightly, changing the neckline and cutting off the bottom of the bodice to accommodate a waistband. Fortunately, the tweaks weren’t particularly challenging. I made the under bodice out of a very thin/light muslin, reinforced the seams with some decorative stitching, finished the neckline raw edge with some white bias tape, added some cotton lace to the neckline and cap sleeves and added some iron-on interfacing to the front center placket to reinforce the hooks and eyes that will eventually close the garment. For now, I pinned it to my dressform, preparing to drape the sheer fabric over it.
The fifth step: constructing the gathered sheer over bodice. This was by far the most challenging step of this project. I started with the back of the bodice first, pinning the fabric to the dressform, gathering the fabric at the center waist. I cut the fabric, allowing some extra length in case I made a mistake and moved on to the front of the bodice. Draping the front was a little more challenging, because of the center front closure. I pinned a series of pleats along the front lower edge, cut the waistband and sewed it to both the under bodice and the sheer over bodice. After I had the over bodice back and front sewn at the shoulder and side seam, I had to make several adjustments to both seams, to get the gathers to lay flatter, appear less blousy. I finished the neckline with black bias tape, turning it inside and hand-stitching it to the fashion fabric with a simple but tiny running seam.
The sixth step: Sewing the over-skirt to the bodice. I adjusted the gathers on the ribbon to create the dogleg closure and hand stitched the upper edge of the gathered fabric to the bottom edge of the bodice waistband.
Photos:
That’s as far as I’ve gotten thus far. Yet to do: Cut, trim and sew the sleeves, sew the hooks and eyes, sew or buy a collar, sew a decorative belt/sash and purchase a brooch or buckle. Assuming I get this dress in a wearable state, I may make another one out of this lovely printed cotton lawn I found:
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